Celtic mythology - Celtic mythology Like other Iron Age Europeans, the Celts were a polytheistic people prior to their conversion to (Celtic) Christianity. Few of their myths have survived intact, but Celtic mythology has nevertheless influenced modern European civilisation. Celtic mythology can be divided into three main subgroups of related beliefs. Goidelic - Irish, Manx and Scottish Insular Brythonic - Welsh, Cornish Continental Brythonic - mainland European See List of Celtic Mythological Beings Before we begin, it is important to keep in mind that the Celtic culture (and its religion(s)) were not as contiguous as the more homogenous Roman or Greek cultures. Our current understanding holds that each tribe along the vast Celtic area of influence had its own deities. Of the 300+ known deities, few indeed were commonly.
Greek mythology - Greek mythology Greek mythology is the set of legends which come from the religion of ancient Hellenic civilization. These stories were familiar to all ancient Greekss and, although some thinkers professed skepticism, they provided the people with both rituals and history. See also: Greek religion, Roman mythology, Roman religion, paganism In Greek mythology, the gods in the Greek pantheon are given human form, but are first and foremost personifications of the forces of the universe. As such they are more or less unchanging, and while they sometimes seem to have a sense of justice, they are often petty or vengeful. The gods' favors are won by sacrifices and piety, but this does not guarantee them, for the gods are known to be prone to frequent changes of.
Douglas (mythology) - Douglas (mythology) In Celtic mythology, Douglas was the father of Lasair, Inghean Bhuidhe and Latiaran by Scathach..
Bov (mythology) - Bov (mythology) In Celtic mythology, King Bov the Red of Munster was an associate of Dagda's. He found the princess Caer for Dagda's son, Aengus..
Celtic metal - Celtic metal Celtic Metal is a sub-genre of Black Metal. Its focus is on Celtic Mythology and Instruments mixed with Black Metal. Celtic Metal has developed a huge underground scene in Ireland, where pioneers like Cruachan, Geasa, Waylander and other such bands play. By far the most successful album is Cruachan's Tuatha Na Gael which sold out its label's supplies within a few months. Having said that, it cannot be considered a great success because it was a small label and only pressed a few thousand CDs. Sub Genres Although still a sub-genre by itself, Celtic Metal has already spawned a few mixtures and sub-genres. Celtic Battle Metal (Bran Barr, Belinus) Celtic Doom Metal (Cryptical Realm, Mael Mórdha) Celtic Pagan Metal (Aisling, Ogmias, Primordial).
Puck (mythology) - Puck (mythology) Puck is a mischievous pre-Christian nature spirit, a "woodwose" in the archetype of the Horned God. The pagan trickster was reimagined in Old English puca (cf. Old Norse puki "devil") as a kind of half-tamed woodland sprite, leading folk astray with echoes and lights in nighttime woodlands or coming into the farmstead and souring milk in the churn. Significantly for such a place-spirit or genius, the Old English word occurs mainly in placenames, which strongly suggests that the Puca was older in the landscape of Britain than the language itself. Since the O.E.D. debates whether the origin is Germanic (Old Norse puki) or Celtic (Welsh pwcca and Irish pooka), Puck's origins may lie on an even deeper language layer, before the Celtic and North Germanic.
Norse mythology - Norse mythology Norse mythology represents the early pre-Christian religion, beliefs and legends of the Scandinavian people, also known as the religion of Ásatrú or Odinism. Most of this mythology was passed down orally, and much of it has been lost. Happily, some of it was captured and recorded by enlightened Christian scholars such as (particularly) Snorri Sturluson in the Eddas and Heimskringla, who rejected the idea that pre-Christian deities were devils. Similar mythologies were held by more southerly Germanic tribes. Exceptions to this shortfall in documented resources relating to the mythologies of early Germanic societies can be found in the Anglo-Saxon Chronicle, the Beowulf sagas and the Gesta Danorum by Saxo Grammaticus. Limited information exists in the Germania of Tacitus, but the Eddas remain our main source.
List of Celtic mythological beings - List of Celtic mythological beings This is a list of beings, places or events in Celtic mythology. Abandinus Abarta Abellio Abhean Abnoba Achall Achtan Achtland Adsullata Aengus Aericura Aes Sidhe Aeval Agrona Ai Aibell Aillen Aimend Ain Aine Airitech Airmed Alaunus Albiorix Alisanos Amaethon Ambisagrus Anann Ancamna Andarta Andraste Anextiomarus Annwn Anu Arawn Arduinna Arianrhod Arnemetia Artio Arvernus Aufaniae Avalloc Aveta Badb Balor Banba Beag Bebhionn Belatu-Cadros Belenus Belisama Blodeuwedd Boann Bodb Bodb Dearg Borvo Bran Branwen Brea Breg Bres Brigid Britannia Bronach Caer Cailleach Camma Camulus Canola Carman Cartimandua Caswallawn Cenn Cruaich Ceridwen Cernunnos Cessair Cethlion Cliodhna Clota Cocidius Conall Cernach Conchobar Condatis Conn of the Hundred Battles Contrebis Corb Cormac Mac Airt Coventina Creiddylad Creidhne Crom Cruach Cu Roi Cuchulainn Curoi mac Daire Cwn Annwn.
King Lear - extremely convoluted, and Lear is generally regarded as a "difficult" play, with many incongruities. For example, the character of Lear's Fool, important in the first act, disappears without explanation. A popular explanation for this is that the actor playing the Fool also played Cordelia. The two characters are never on stage at the same time, and dual-roling was popular in Shakespeare's time. Besides the subplot involving the Earl of Gloucester and his two sons, the principal innovation Shakespeare made to this story was the death of Cordelia and Lear at the end. During the eighteenth and nineteenth centuries, this tragic ending was much criticised, and alternative versions were written and performed, in which the leading characters survived and Edgar and Cordelia were married. King Llyr was a semi-legendary king who reigned.
King under the Mountain - term King under the Mountain was used in a good deal of Celtic mythology (and later fairy tales) to refer to the ruler of the supernatural creatures particular to a given location, particularly the sidhe. In J. R. R. Tolkien's fantasy universe of Middle-earth, the King under the Mountain is the title of the Dwarf ruler who resides at the Lonely Mountain. In The Hobbit, the dragon Smaug held this title. Thorin was in line to be the King under the Mountain..
Irish literature - in English, but Irish Gaelic also has the most significant body of written literature, both ancient and recent, in any Celtic language, in addition to a strong oral tradition of legends and poetry. See also the main article on modern literature in Irish. This Irish language tradition has contributed to making Irish literature in English something quite distinctive from English literature in other countries. From the older tradition, Irish writers in English have inherited a sense of wonder in the face of nature, a narrative style that tends towards the deliberately exaggerated or absurd, a keen sense of the power of satire. In addition, the interplay between the two languages has resulted in an English dialect, Hiberno-Irish, that lends a distinctive syntax and music to the literature written in it. Poetry.
History of London - London 2 The Meaning of Londinium 3 Roman London 4 Saxon London 5 Norman London 6 Stuart London 7 Modern London 8 Population 9 Historical Places of Note in London 10 External Links Legendary Foundations and Prehistoric London In the medieval mythology of Geoffrey of Monmouth London was founded by Brutus the Trojan in the Bronze Age and was known as Troia Nova which was corrupted to Trinovantum. King Lud renamed the town CaerLudein from which London derived. Geoffrey provides prehistoric London with a rich array of legendary kings and intersting stories. However, archaeologists have found no evidence of a prehistoric or British town. There have been scattered prehistoric finds, evidence of farming, burial and traces of habitation but nothing more substantial. The archaeological coverage has been so intense particularly since.
Holy Grail - Holy Grail, by Dante Gabriel Rossetti In Christian mythology, the Holy Grail is the cup from which Jesus drank at the Last Supper, or alternatively a cup that caught his blood when he was on the cross, or both. It was said to have the power to heal all wounds. Much of the Christianised Arthurian mythos relates to the quest for the Holy Grail. The legend may be a combination of genuine Christian lore with a Celtic myth of a cauldron endowed with special powers. The identification of the cup of the Last Supper and the Grail could come from the fact that in Old French, san grial means "Holy Grail" and sang rial means "royal blood". According to one legend, the Grail was brought to Britain by Joseph of Arimathea,.
Hooded Spirits - Hooded Spirits In Celtic mythology, the three Hooded Spirits were healing and fertility deities..
Gae Bulg - Gae Bulg In Celtic mythology, Gae Bulg ("notched spear") was the spear of Cuchulainn, given to him by Aife. Gae Bulg was notched to ensure it would do great damage when taken out of a body; it was made from the bone of a sea-monster that had died while fighting another sea monster. Cuchulainn killed his son, Connla, and his friend, Ferdiad, with the spear. He died after losing the spear, throwing it at a satirist..
Germanic peoples - any direct cultural, linguistic, or political sense. The idea of a single German people, or Volk, is a relatively recent development, largely invented by 19th century Nationalist writers after the disastrous Napoleonic Wars. They did, however, have a name for non-Germanic peoples, Walha, from which the local names Welsh, Wallis, Walloon, and Wallachia have been derived. They also spoke mutually intelligible dialects and shared a common mythology and story telling as testified by f.i. Beowulf and the Saga of the Volsungs. Table of contents showTocToggle("show","hide") 1 Origin 2 Migration period 2.1 Germanic tribes 2.2 Role of the Germanics in the Fall of Rome 3 The concept of Volk 4 Christianization Origin Regarding the question of their origins, evidence developed by both archaeologists and linguists suggests that a people or group of.
Geasa - or obligation placed upon a person (usually a hero, such as Cuchulainn) in Celtic mythology. Traditionally, the doom of the hero comes about due to his violation of such geasa, usually by accident. There is a considerable similarity between geasa (which are a phenomenon of Irish Celtic mythology) and the foretold deaths of heroes in Welsh mythology. This is not surprising given the close origins of all the variants of Celtic mythology. Geasa is also the name of a celtic metal band, see Geasa (band)..
Geas - geas (also geis), has two interpretations in Celtic mythology and folklore. First, it is considered some kind of bond that people or even gods can be placed under; later, it took the aspect of a taboo or prohibition. A geas can also be compared with a curse. If someone placed under a geas breaks it, the infractor will suffer dishonour or even death..
Geatish Society - The Geatish Society sought to revive Viking spirit and related matters, and the members would write extensively on the Aesir and other parts of Norse mythology. The historical writings of Olaus Rudbeckius were also revived and used for creating vivid imagery. In their poems, especially the rich illustrations, actual Norse elements would be mixed with, for instance Scandinavian Bronze Age, Celtic, Greek and Roman elements in order to create a modern mythology of the past. Among the most famous members were Esaias Tegnér and Erik Gustaf Geijer. Some of their most famous poems were composed under the influence of the ideas and sentiments of the Geatish Society, notably Frithiofs saga by Tegnér, as well as other minor poems named Vikingen, Odalbonden and Skidbladner. The latter were published in Iduna, the newsletter.
Geasa (band) - Geasa (band) Geasa is an Irish Celtic metal band. Geasa's style often compares to Primordial. In Celtic mythology, a "Geasa" is a vow or obligation (see Geasa). The artwork of Angel's Cry is by Louis Royo. Discography Angel's Cry (1999).
