German Romanticism - German Romanticism In the philosophy, art, and culture of German-speaking countries, German Romanticism was the dominant cultural movement of much of the nineteenth century. Since the aesthetic of German classicism was a relatively late development compared to its English counterpart (Goethe, Classicism's greatest figure, lived well into the 19th century), German romanticism followed very closely after it. In contrast to the seriousness of English romanticism, the German variety is notable for valuing humor and wit as well as beauty. Its aesthetic theory, also, seems very different in favoring fragmentation and incompleteness, rather than only perfection and unity. Key figures of German romanticism are listed below. Table of contents showTocToggle("show","hide") 1 Literary and philosophical figures 2 Musical figures 3 See also Literary and philosophical figures Friedrich Schlegel.
Intellectual, political, literary and cultural movements in German lands - Intellectual, political, literary and cultural movements in German lands This entry deals with Intellectual, political, literary and cultural movements that have been contributing to the world of thoughts through the German language, the majority of them natives or denizens of modern day Germany, Austria, Switzerland and countries where German has been spoken. The body of German Intellectual, political, literary and cultural traditions in general shows certain distinctiveness and uniqueness in its dynamics and focuses, from the French, Anglo-Saxon, Russian and other Western and non-Western philosophical traditions, therefore warrant special attentions. Wiki links: List of German language philosophers Austrian intellectual traditions Viennese school Oswald Spengler Carl Gustav Jung Sigmund Freud Sturm und Drang German Romanticism German philosophy.
German literature - German literature Some of the major movements or time periods of German literature are: High and late Middle Ages Humanism and Reformation Baroque Enlightenment Sturm und Drang Classicism Romanticism Biedermeier Junges Deutschland Poetic realism Naturalism Fin de siècle German literature of the Classical Moderne (German: Klassische Moderne) Expressionism Dadaism Exile literature Holocaust and survivor literature German literature after World War II For well-known authors who wrote or write literature in the German language see list of German language authors and list of German language poets..
German Confederation - German Confederation This article is part of the History of Germany series. Franks Holy Roman Empire German Confederation German Empire Weimar Republic Nazi Germany Germany since 1945 The German Confederation (German Deutscher Bund) was a loose association of German states formed by the Congress of Vienna in 1815. The Confederation had exactly the same boundaries as the Holy Roman Empire after the Peace of Westphalia (except Flanders), but as opposed to the earlier structure, its member states were fully sovereign. The Confederation collapsed when the Kingdom of Prussia and Austria went to war in 1866. All the constituent states became part of the German Empire in 1871, except Austria, Liechtenstein, and Luxembourg (see List of German Confederation member states). Table of contents showTocToggle("show","hide") 1 Impact of.
German philosophy - German philosophy This entry deals with works, schools, movements of minds that have been contributing to the world of thoughts through the German language, the majority of them natives or denizens of modern day Germany, Austria, Switzerland and countries where German has been spoken. The body of German philosophical traditions in general shows certain distinctiveness and uniqueness in its dynamics and focuses, from the French, Anglo-Saxon, Russian and other Western and non-Western philosophical traditions, therefore warrant special attentions. Wiki links: List of German language philosophers Intellectual, political, literary and cultural movements in German lands Austrian intellectual traditions Viennese school Oswald Spengler Carl Gustav Jung Sigmund Freud Sturm und Drang German Romanticism German literature History of philosophy Philosophical movement German idealism French materialism Modern philosophy Immanuel Kant.
German idealism - German idealism German idealism was a philosophical movement in Germany in the late eighteenth and early nineteenth centuries. It developed out of the work of Immanuel Kant in the 1780s and 1790s, and was closely linked both with romanticism and revolutionary politics. The predominant philosophers in the movement were Johann Gottlieb Fichte, Friedrich Schelling, and Georg Wilhelm Friedrich Hegel. Lesser lights include Jacobi and Schleiermacher. It is generally taken to have culminated with Hegel, who is now not infrequently numbered among the greatest philosophers in history, alongside Plato, Aristotle, Kant, and Wittgenstein. Kant's work purported to bridge the two dominant philosophical schools in the eighteenth century: rationalism, which held that knowledge could be attained by reason alone --a priori, or prior to experience -- and empiricism,.
Romanticism - Romanticism Romanticism was an artistic and intellectual movement that originated in the late 18th century and stressed strong emotion, imagination, freedom from classical correctness in art forms, and rebellion against social conventions. Romanticism was an attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the mid-19th century. Romanticism can be seen as a rejection of the precepts of order, calm, harmony, balance, idealization, and rationality that typified Classicism in general and late 18th century Neoclassicism in particular. It was also to some extent a reaction against the Enlightenment and against 18th-century rationalism and physical materialism in general. Romanticism emphasized the individual, the subjective, the irrational, the imaginative, the.
List of German language philosophers - List of German language philosophers Wiki links: List of German language philosophers Intellectual, political, literary and cultural movements in German lands Austrian intellectual traditions Viennese school Oswald Spengler Carl Gustav Jung Sigmund Freud Sturm und Drang German Romanticism German philosophy.
Kitsch - Kitsch Kitsch is a German term that has been taken over into English that categorizes art that is considered to be of "bad taste"; whether overly mundane, folksy, commercial, or pretentious. Because the word was brought into use as a response to a large amount of art in the 19th century where the aesthetic of art work was confused with a sense of exaggerated sentimentality or melodrama, its most closely associated with art that is sentimental, mawkish, or maudlin; however, it can be used to refer to any type of art which is defficient for similar reasons--whether it tries to appear "sentimental", "cool", "glamorous", "theatrical", or "creative", kitsch is said to be a gesture imitative of the superficial appearances of art. It's often said that kitsch relies on.
Jakob Friedrich Fries - 23, 1773 - August 10, 1843), was a German philosopher. He was born at Barby, Saxony. Having studied theology at the academy of the Moravian brethren at Niesky, and philosophy at theUniversities of Leipzig and Jena, he travelled for some time, and in 1806 became professor of philosophy and elementary mathematics at Heidelberg. Though the progress of his psychological thought compelled him to abandon the positive theology of the Moravians, he retained an appreciation of its spiritual or symbolic significance. His philosophical position with regard to his contemporaries had already been made clear in his critical work Reinhold, Fichte und Schelling (1803), and in the more systematic treatises System der Philosophie als evidente Wissenschaft (1804), Wissen, Glaube und Ahnung (1805). His most important treatise, the Neue oder anthropologische Kritik der Vernunft.
Juan Maria Solare - 1993 he taught Harmony, Morphology and Chamber Music at the Conservatory of Tandil (Argentina). Between 1993 and 1996 he undertook postgraduate studies on Composition at the Musikhochschule in Cologne (Germany) under the guidance of Johannes Fritsch, Clarence Barlow and Mauricio Kagel, in the frame of a scholarship of the German Academic Exchange Service (DAAD). Between October 1997 and February 1999, postgraduate studies with Helmut Lachenmann in Stuttgart. Between 1999 and 2001 studied electronic music with Hans Ulrich Humpert in Cologne, with Diploma. In January 2002 jury (piano) in the competition Jugend Musiziert. Between July 1998 and June 1999 he held a scholarship of the Heinrich-Strobel Foundation (Baden-Baden). Since June 2001 until May 2002 he had a scholarship as "composer in residence" at the Künstlerhäuser (House of Artists) in Worpswede, Germany. For.
Viennese school - Viennese school Wiki links: List of German language philosophers Intellectual, political, literary and cultural movements in German lands Austrian intellectual traditions Viennese school Oswald Spengler Carl Gustav Jung Sigmund Freud Sturm und Drang German Romanticism German philosophy.
Ivan Mazuranic - transition from semi-feudal legal and economic system of Croatia to modern civil society similar to those emerging in other countries in central Europe. his linguistic work is remarkable for its enormous influence. Mažuranić's "German-Illyrian/Croatian Dictionary", 1842 (coauthored with Josip Užarević) is at the very heart of modern Croatian civilization, since in this 40,000 entries dictionary the principal author Mažuranić had coined words that has become commonplace in standard Croatian language-for instance, Croatian words for bank accountancy, rhinoceros or metropolis. He was much more than "language-recorder": "language-shaper" would be better description. but, in his native land, Mažuranić is above all the beloved poet of "Smrt Smail age Čengića"/"Death of Smail aga Čengić", 1845, the epic poem full of memorable verses that have become embedded in national memory of his people who cherished.
Hippolyte Taine - accordingly took both his baccalauréat degrees, in science and letters, and passed first into the École Normale; among his rivals, who passed in at the same time, were About, Sarcey, Libert, and Suckau. Among those of Taine's fellow-students who afterwards made a name in teaching, letters, journalism, the theatre and politics, etc., were Challemel-Lacour, Chassang, Aubé, Perraud, Ferry, Weiss, Yung, Gaucher, Gréard, Prévost-Paradol and Levasseur. Taine made his influence felt among them at once; he amazed everybody by his learning, his energy, his hard work, and his facility both in French and Latin, in verse as well as in prose. He devoured Plato, Aristotle, the Fathers of the Church, and he analysed and classified all that he read. He already knew English, and set himself to master German in order to.
Gentleman - word equates with the French gentilhomme (nobleman), which latter term was in Great Britain long confined to the peerage. The term gentry (from the Old French genterise for gentelise) has much of the significance of the French noblesse or of the German Adel. This was what the rebels under John Ball in the 14th century meant when they repeated: When Adam delved and Eve span, Who was then the gentleman? John Selden in Titles of Honour, (1614), discussing the title "gentleman", speaks of "our English use of it" as "convertible with nobilis" and describes in connection with it the forms of ennobling in various European countries. William Harrison, writing a century earlier, says "gentlemen be those whom their race and blood, or at the least their virtues, do make noble and.
Gustav Mahler - did Mahler have a true public success with his music. The pieces he wrote after that were not performed in his lifetime. Mahler was coming under increasingly virulent anti-semitic attacks — in 1907 these became almost unbearable — when Mahler received an offer to conduct Metropolitan Opera in New York. He conducted a season there in 1908, only to be set aside in favor of Arturo Toscanini. Mahler returned to New York the next year to become conductor of the newly formed New York Philharmonic Orchestra. Around this time, he completed Das Lied von der Erde, and the Symphony No. 9, which turned out to be his last completed work. During his last visit to America in February 1911, he fell seriously ill and was taken back to Vienna at his.
Friedrich Schleiermacher - to apply ideas from the Greek philosophers in a reconstruction of Kant's system. At the completion of his course at Halle he became private tutor to the family of Count Dohna-Schlobitten, developing in a cultivated and aristocratic household his deep love of family and social life. Two years later, in 1796, he became chaplain to the Charité Hospital in Berlin. Lacking scope for the development of his preaching skills, he sought mental and spiritual satisfaction in the city's cultivated society and in profound philosophical studies, beginning to construct the framework of his philosophical and religious system. It was now that he became acquainted with art, literature, science and general culture. He was profoundly affected by German Romanticism, as represented by his friend Karl Wilhelm Friedrich von Schlegel. Of this his Confidential.
Friedrich de la Motte Fouqué - Motte, Baron Fouqué (February 12, 1777 - January 23, 1843), German writer of the romantic movement, was born at Brandenburg. His grandfather had been one of Frederick the Great's generals and his father was a Prussian officer. Although not originally intended for a military career, Friedrich de la Motte Fouqué ultimately gave up his university studies at Halle to join the army, and he took part in the Rhine campaign of 1794. The rest of his life was devoted mainly to literary pursuits. He was introduced to August Wilhelm von Schlegel, who published Fouqué's first book, Dramatische Spiele von Pellegrin, in 1804. His next work, Romanten vom Tal Ronceval (1805), showed more plainly his allegiance to the romantic leaders, and in the Historie vom edlen Ritter Galmy (1806) he versified a.
E.T.A. Hoffmann - in Königsberg, Prussia; died June 25, 1822), was a German romantic and fantasy author and composer. Jacques Offenbach's masterwork, the opera "Tales of Hoffman" takes some cues from The Devil's Elixir. Hoffman is one of the best-known representatives of German romanticism, and a pioneer of the fantasy genre, with a taste for the macabre combined with realism that influenced such authors as Franz Kafka and Edgar Allan Poe, Charles Dickens, and Nikolai Gogol. Hoffman illuminates the darker side of the human spirit found behind the hypocritical harmony of bourgeouis life. His father was an Advokat and E.T.A. studied at the Gymnasium in Königsberg. He then worked as a Referendar in Glogau Silesia and in Berlin in Brandenburg and next in Posen. He was transferred to Plotzk (Poland). In 1805 he moved.
Ethnicity - is sometimes used as a euphemism for "race". It is a term also used to justify real or imagined historic ties as well. Ethnicity goes far beyond the modern ties of a person to a particular nation (e.g., citizenship), and focuses more upon the connection to a perceived shared past and culture. See also Romanticism, folklore. The 19th century saw the development of the political ideology of ethnic nationalism, when the concept of race was tied to nationalism, first by German theorists including Johann Gottfried von Herder. Instances of societies focusing on ethnic ties to the exclusion of history or historical context arguably have resulted in almost fanatical self-justifying nationalist and/or imperialist goals. Two periods frequently cited as examples of this are the 19th-century consolidation and expansion of the German Empire,.
