Jewish music - Jewish music This article deals with Jewish music. There is a separate article on Klezmer music. Table of contents showTocToggle("show","hide") 1 Origin of Jewish music in the Temple 1.1 Adaptations from local music 2 Cantorial and synagogue music 2.2 Yiddish Folk music 2.3 Sephardic & Ladino music 3 Modern Israeli music 4 Modern English Jewish music Origin of Jewish music in the Temple The earliest synagogal music was based on the same system that in the Temple in Jerusalem. According to the Talmud, Joshua ben Hananiah, who had served in the sanctuary Levitical choir, told how the choristers went to the synagogue from the orchestra by the altar (Talmud, Suk. 53a), and so participated in both services. After the destruction of the Temple and the subsequent.
Jewish symbolism - Jewish symbolism Jewish symbolism refers to any forms or types of symbolism in Judaism; a symbol in this sense is defined as some kind of visible representation of an object or an idea. The Hebrew word for symbol is ot which in early Judaism denoted not only a sign, but also a visible religious token of the relation between God and man. Shabbat and circumcision Ancient Israel had two fundamental symbols, each regarded as representing the pledge of the covenant made by God with His people. These were (1) Shabbat, the Sabbath, and (2) circumcision, the token of the covenant made by God with Abraham and his descendants (Gen. xvii. 11; comp. Ex. xiii. 9 and Deut. vi. 8). The Tabernacle According to the Bible, while.
African American music - African American music This article is part of the Music of the United States series. before 1940 1940s and 50s 1960s and 70s 1980 to the present''' African-American music Native American music Latin, Tejano, Hawaiian, Cajun, Puerto Rican and other immigrants African Americans (black music, formerly known as race music) have long constituted a large minority of the population of the United States. They were originally brought to North America to work as slaves in cotton plantations, bringing with them typically polyphonic songs from literally hundreds of ethnic groups across West Africa. In the United States, multiple cultural traditions merged with influences from polka, waltzes and other European music. The influence of African Americans on mainstream American began in the 19th century, when the banjo became a popular.
American roots music - American roots music American roots music is a broad category of music including country music, bluegrass, gospel, ragtime, jug bands, Appalachian folk, blues, Tejano and zydeco, and Native American music. The music is considered "American" because it is either native to the United States or here varied enough from its origins that it struck musicologists as something distinctly new; it is considered "roots music" because it served as the basis of music later developed in the United States, including rock and roll, rhythm and blues, and jazz. This article is the first in the Music of the United States series. '''American roots music: Native American, European and African melting pot''' 1940s and 50s 1960s and 70s 1980s to the present African-American music Native American music Latin, Tejano, Hawaiian,.
Timeline of trends in music (1900-1949) - Timeline of trends in music (1900-1949) See also: List of years in music, Timeline of trends in music to 1899, Timeline of trends in music (1950-1959), Timeline of trends in music (1960-1969), Timeline of trends in music (1970-1979), Timeline of trends in music (1980-1989), Timeline of trends in music (1990-present) 1900s - 1910s - 1920s - 1930s - 1940s 1900s 1900 in music Music of Argentina The bandoneón begins to become popular in Argentina; it will soon become one of the principal instruments in the tango Music of Colombia The accordion begins to become popular throughout the country Music of Cuba Romantic ballads called boleros are developed Music of Indonesia The developing form of kroncong is popular among the poor, urban people Music of Russia Vassily Andreyev and.
Timeline of trends in music (1980-1989) - Timeline of trends in music (1980-1989) See also: List of years in music, Timeline of trends in music to 1899, Timeline of trends in music (1900-1949), Timeline of trends in music (1950-1959), Timeline of trends in music (1960-1969), Timeline of trends in music (1970-1979), Timeline of trends in music (1990-present) 1980s 1980 in music International trends Alternative rock and post punk artists like Joy Division (Closer), The Specials (More Specials) and U2 (Boy) achieve some popularity with influential releases; they are accompanied by popular punk and New Wave releases from Devo (Freedom of Choice), Talking Heads (Remain in Light), The Pretenders (Pretenders), The Clash (London Calling) and The Jam (Sound Affects) Hank Sapoznik, The Klezmorim, Kapelye, Andy Statman and the Klezmer Conservatory Band emerge at the forefront of.
Timeline of trends in music to 1899 - Timeline of trends in music to 1899 See also: List of years in music, Timeline of trends in music (1900-1949), Timeline of trends in music (1950-1959), Timeline of trends in music (1960-1969), Timeline of trends in music (1970-1979), Timeline of trends in music (1980-1989), Timeline of trends in music (1990-present) c. 4000 BC Harps and vertical flutes are played in Egypt c. 3500 BC Double clarinets and lyres are played in Egypt c. 3000 BC The bamboo pipe is invented in China c. 2500 BC The five tone system dominates Chinese music c. 2000 BC The trumpet is played in Denmark Percussion instruments are added to Egyptian orchestras c. 1500 BC Hittites use guitars, lyres, trumpets, tambourines Harps are used to accompany dances in Egypt c. 1000 BC.
Sephardic music - Sephardic music The Sephardic Jews are one of the two main ethnicities among Diaspora Jews, the other being the Ashkenazi. Sephardic Jews originally referred just to the Jews in Spain, but now applies to the entire Mediterranean region. The Spanish Jewish community, however, remains the center of a form of popular music referred to as Sephardic. Sephardic music was born in midieval Spain, with cancioneros being performed at the royal courts. Since then, influences from across Spain, Morocco, Argentina, Turkey, Greece and various popular tunes from Spain and further abroad. There are three types of Sephardic songs -- topical and entertainment songs, romance songs and spiritual or ceremonial songs. Lyrics can be in several languages, including Hebrew for religious songs and Ladino. These song traditions spread from.
Music of the United States - Music of the United States The music of the United States includes forms derived from multiple ethnic groups. The original inhabitants of the United States included hundreds of Native American tribes, as well as native Hawaiians and Inuits, who played the first music in the area, eventually augmented by immigrants from England, Spain and France. Africans imported as slaves provided the musical underpinnings of much of modern American music, while other influences include Spanish-native mestizos from Mexico, Cuba and Puerto Rico, the Cajun descendents of French-Canadians, and Eastern European Jews. This article is an overview of the Music of the United States series. Roots music: before 1940 1940s and 50s 1960s and 70s 1980s to the present African-American music Native American music Latin, Tejano, Hawaiian, Cajun,.
Music of Algeria - Music of Algeria Algerian music is virtually synonymous with raď among foreigners; the musical genre has achieved great popularity in France, Spain and other parts of Europe. For several centuries, Algerian music was dominated by styles inherited from Andalusia, eventually forming a unique North African twist on these poetic forms. Mixed with Ottoman influences, Algerian music came to include suites called nuubaat (singular" nuuba). Later derivatives include rabaab and hawzii. Sha-bii is, in most Arab countries, folk music; in Algeria, however, it refers to a style of recent urban popular music, of which the best known performer was El Hajj Muhammad El Anka. True styles of folk music include hofii, a form of female vocal music, and zindalii, from Constantine. Kabylia Kabylia is a region east.
Music of Romania - Music of Romania Table of contents showTocToggle("show","hide") 1 Classical Music 2 Traditional music 2.1 Transylvanian music 2.2 Wallachia 2.3 Doina 3 Modern times 4 Contemporary 5 External Link 6 References Classical Music George Enescu Traditional music Transylvanian music Transylvania has been historically and culturally more linked to Central European countries than the rest of Eastern Europe, and its music reflects those influences. Inhabited by a mix of Gypsies, Romanians and Hungarians, Transylvania has long been a center for folk music, which has survived here more than in the rest of Romania. Bartok and Kadoly collected many folk songs from Transylvania early in the 20th century. Violin, viola and double bass, sometimes with a cimbalom, are the most integral ensemble unit. They are used to played a.
Music of Bosnia and Herzegovina - Music of Bosnia and Herzegovina Like the surrounding Balkan countries, Bosnia and Herzegovina has had a turbulent past marked by frequent foreign invasions and occupation. As a result, Bosnian music is now a mixture of ethnic Albanian, Bosnian, Croatian, Gypsy, Turkish, Hungarian, Serbian and Macedonian influences. During its period as a part of Yugoslavia, Bosnia and Herzegovina was covered in state-supported amateur musical ensembles called Kulturno-Umetnička Društva (KUDs) who played folk music and released a few recordings on local labels. In the whole Balkan region, Bosnia and Herzegovina have perhaps retained the most marked Turkish infuence that can be seen in the popular urban music called sevdalinka. Sevdalinka is a mixture of Turkish and Bosnian music, especially Muslim religious melodies called ilahije alongside Jewish songs like.
Music of the United States (1960s and 70s) - Music of the United States (1960s and 70s) This article is the third in the Music of the United States series. before 1940 1940s and 50s Diversification of pop, secularization of soul and the birth of a counterculture: 60s and 70s 1980s to the present African-American music Native American music Latin, Tejano, Hawaiian, Cajun, Puerto Rican and other immigrants The 1960s was a tumultuous period for the United States, with the Cold War, Vietnam War and Civil Rights causing massive public unrest. Music became innately tied up into causes, opposing certain ideas, influenced by the sexual revolution, feminism, Black Power and environmentalism. Central to this trend was a folk roots revival that inspired a wave of similar trends across Europe and the rest of the world..
Music of immigrant communities in the United States - Music of immigrant communities in the United States This article is a supplemental part of the Music of the United States series. before 1940 1940s and 50s 1960s and 70s 1980 to the present''' African-American music Native American music Latin, Tejano, Hawaiian, Cajun, Puerto Rican and \other immigrants The vast majority of the inhabitants of the United States are immigrants or descendents of immigrants. This article will focus on the music of these communities and discuss its roots in countries across Africa, Europe and Asia, excluding only Native American music, indigenous and immigrant Latinos, Puerto Rican music, Hawaiian music and African American music. Table of contents showTocToggle("show","hide") 1 Armenia 2 Cape Verde 3 Eastern European Jews 4 England 5 Germany 6 Iran 7 Ireland 8 Italy.
Music of Israel - Music of Israel Modern Israeli music is heavily influenced by its constituents, which include Palestinians (see Palestinian music) and Jewish immigrants (see Jewish music) from more than 120 countries around the world have brought their own musical traditions, making Israel a global melting pot. Israeli music is an integral part of society. Many of the most popular songs are called Shierei Eretz Israel Hay'shana Ve Hatova (Songs of the Good Old Land of Israel), and are Hebrew songs set to Russian and Slavic melodies. The youth and kibbutz movements have played a major role in Israeli musical development, and in the popularization of many of these songs. The first few years after Israel's creation saw an attempt at forging a unique Israeli cultural identity by melding.
List of cultural and regional genres of music - List of cultural and regional genres of music Cultural genres African American music (blues, gospel, soul, funk, jazz, rock 'n' roll, hip hop) Andean music (nueva cancion) Arab music (classical Arab music, rai, sout, gnawa, al-jil, chaabi) Ashkenazi music (klezmer) Basque music (trikitrixa, bersolari, shawm and drum, fasil, raks, calgia) Bedouin music (zajal) Cajun and Louisiana Creole music (la la, juré, zydeco, swamp pop) Celtic music (jig, reel, strathspey, hornpipe) Christian music (hymns, spirituals, Gregorian chant, wedding music, requiem, gospel, CCM) Esperanto music Gypsy music (flamenco) Hindu music (kriti, dhrupad, bhajan, dhamar) Inuit music (katajjaq) Jewish music (piyyutim, klezmer) Latin music (bossa nova, mariachi, punta, nueva cancion, Latin jazz, salsa, Norteńo, corridos, chachachá, tango, rumba, conga, merengue, calypso, mambo, conjunto, Latin rock, rock en espanol, nueva trova, bomba, plena, cumbia,.
Karel Reisz - Czechoslovakia, died London, UK 2002) was a Jewish refugee who became one of the most important film-makers in post war Britain. Reisz joined the Royal Air Force towards the end of the war, after the death of his parents at Auschwitz. After the war, he studied Natural Sciences at Cambridge, and began to write for film journals, including Sight and Sound. He co-founded Sequence with Lindsay Anderson and Gavin Lambert in 1947. He was also a founder member of the Free Cinema documentary movement. His 1959 film We Are the Lambeth Boys was a naturalistic depiction of the members of a South London boys' club, which was unusual in showing the life of working-class teenagers as it was, with skiffle music and cigarettes intact. His first feature film Saturday Night and.
Kol Nidre - has been imported from the 1906 public domain "Jewish Encyclopedia". It has been slightly edited and Wikified. It does not yet incorporate the findings of modern scholarship. Please help by modifying as needed.) Kol Nidre is a Jewish prayer recited in the synagogue at the beginning of the evening service on Yom Kippur, the Day of Atonement. It is written in Aramaic, not Hebrew. Its name is taken from the opening words, meaning "All vows". "Kol Nidre" has had an eventful history, both in itself and in its influence on the legal status of the Jews. Introduced into the liturgy despite the opposition of some rabbinic authorities, attacked in the course of time by some rabbis, and in the nineteenth century expunged from the prayer-book by many communities of western Europe,.
Jacques Offenbach - the modern musical comedy. Table of contents showTocToggle("show","hide") 1 Biography 2 Works 3 References and External Links Biography Offenbach was of German-Jewish origin, born Jakob Eberst, the son of a synagogue cantor. He moved to Paris in 1833 to study the cello. He found employment playing cello in the orchestra of the Opera Comique, and wrote several pieces for the instrument. In 1844, he married Herminie de Alcain. In 1850 he became conductor of the Theatre Francais, but in 1855 rented his own theatre, the Bouffes Parisiens on the Champs Elysees, and began a successful career devoted largely to operetta and opéras comiques until his death. His most popular works are still performed regularly today. He also wrote much dance music, especially the can-can style. His best known operettas in the.
Joy Division (band) - May 1977. After firing Brotherdale by asking him to fix a flat tire while on the motorway and then driving away, they got a new drummer called Stephen Morris and renamed the band Joy Division to avoid confusion with London punk band Warsaw Pakt. The name Joy Division is a reference to groups of Jewish women in the concentration camps during WWII who were used as prostitutes by the Nazis, as described in Karol Cetinsky's 1955 book, The House of Dolls. They played constantly in the north of England throughout early 1978, and recorded enough material for a debut album. However, after the studio engineer added synthesizers to several tracks, the band scrapped the album. It would be released as a bootleg in 1982 and then officially 10 years later. In.
