Piano Sonata No. 14 (Beethoven) - Piano Sonata No. 14 (Beethoven) Ludwig van Beethoven's opus 27 no. 2 is the Piano Sonata No. 14 in C sharp minor "Quasi una fantasia" (Italian: Like a fantasy), popularly known as the Moonlight Sonata. Beethoven wrote this sonata in 1801 and dedicated it to the 17-year-old Countess Giulietta Guicciardi, with whom he was (or, according to some accounts, had been) in love. In 1832, several years after Beethoven's death, the poet Ludwig Rellstab compared the music to moonlight shining on Lake Lucerne. Since then, it has been known as the Moonlight Sonata. The Sonata has three movements: Adagio sostenuto (attacca), Allegretto and Presto agitato The first movement, written in a kind of truncated sonata form, is the most well known. Its powerful, haunting and quiet.
Piano Sonata No. 8 (Beethoven) - Piano Sonata No. 8 (Beethoven) Ludwig van Beethoven's Piano Sonata No. 8 in C Minor, op. 13 was titled "Pathétique" by the composer himself, unlike most of the other "named" sonatas. It was published in 1799, though written the year before, when the composer was 27 years old. Beethoven dedicated the work to his friend Prince Karl von Lichnowsky. The "Pathétique" Sonata is perhaps the earliest of Beethoven's compositions to achieve widespread and enduring popularity. Many music historians judge that Beethoven was the first Romantic composer, and those who do might well regard this sonata as defining the start of the Romantic period. The sonata is in three movements: Grave; allegro di molto e con brio Adagio cantabile Rondo: allegro The first movement is in standard.
Piano Sonatas Nos. 13 - 14, Opus 27 (Beethoven) - Piano Sonatas Nos. 13 - 14, Opus 27 (Beethoven) Ludwig van Beethoven's opus number 27 is a set of two sonatas for solo piano. See: Piano Sonata No. 13 (Beethoven) Piano Sonata No. 14 (Beethoven) (the Moonlight sonata).
Piano Sonata No. 29 (Beethoven) - Piano Sonata No. 29 (Beethoven) Beethoven's "Hammerklavier" sonata, Op. 106 in B-flat major, is widely considered to be one of the defining works of the composer's third period and one of the great piano sonatas. The sonata was written in the last half of the 1810s, towards the end of a fallow period in Beethoven's compositional career, and represents the spectacular emergence of many of the themes that were to recur in Beethoven's late period: the reinvention of traditional forms, such as sonata form; a brusque humor; and a return to pre-classical compositional traditions, including an exploration of modal harmony and reinventions of the fugue within classical forms. The sonata's name (literally "hammer-keyboard") simply means "piano". It comes from the title page of the work, which.
Violin Sonata No. 5 (Beethoven) - Violin Sonata No. 5 (Beethoven) The Violin Sonata No. 5, opus 24, is a sonata for violin and piano by Ludwig van Beethoven. It is often known as the Spring sonata, and was published in 1801. The work is in four movements: Allegro Adagio molto espressivo Scherzo. Allegro molto Rondò. Allegro ma non troppo.
Toy piano - Toy piano The toy piano is a musical instrument, made as a child's toy, but which has also been used in more serious musical contexts. The instrument was invented in Philadelphia in 1872 by a German immigrant named Albert Schoenhut. It is in the form of a scaled down model of a piano, usually no more than 50 cm in width, and made out of plastic. The first toy pianos were made in the mid-19th century and were typically uprights, although most toy pianos made today are models of grands. Rather than hammers hitting strings as on a standard piano, the toy piano sounds by way of hammers hitting metal bars or rods which are fixed at one end. The hammers are connected to the keys by.
Piano - Piano Piano is a common abbreviation for pianoforte, a musical instrument with a keyboard (see keyboard instrument). Its sound is produced by strings stretched on a rigid frame. These vibrate when struck by felt-covered hammers, which are activated by the keyboard. The word pianoforte is from the Italian for soft-loud, referring to the ability of the piano to play notes at many volumes. As a keyboard stringed instrument, the piano is similar to the clavichord and harpsichord. The three instruments differ in the mechanism of sound production. In a harpsichord, strings are plucked by quills or similar material. In the clavichord, strings are struck by tangents which remain in contact with the string. In a piano, the strings are struck by hammers which immediately rebound, leaving.
Piano trio - Piano trio A piano trio is a group of piano and two other instruments, almost always a violin and a cello, or a piece of music written for such a group. It is one of the most common forms found in classical chamber music. Traditionally, piano trios tend to be in the same overall form as a sonata, which can be roughly said to be as follows: First movement - a quick movement in sonata form Second movement - a slow movement Third movement - a minuet and trio or a scherzo in ternary form Fourth movement - another quick movement, often in rondo form or sonata-rondo form However, many variations on this form exist, and there are piano trios which bear no resemblance to this.
Piano Concerto No. 1 (Brahms) - Piano Concerto No. 1 (Brahms) Johannes Brahms's Piano Concerto No. 1 in D minor (Op 15) is described by some as a virtuoso's showcase. After a prolonged gestation period, like many of Brahms's compositions, most notably the First Symphony (sometimes called the Beethoven Tenth), it premiered on January 22, 1859 in Hanover, Germany. Five days later, at Leipzig, an unenthusiastic audience hissed at the concerto. In a letter to the renowned violinist Joseph Joachim, Brahms stated, "I am only experimenting and feeling my way," and he added sadly, "all the same, the hissing was rather too much!" A combination of a two-piano sonata and a symphony resulted in the concerto. Written in a difficult time in Brahms's life (Schumann had died just three years ago, and.
Sonata form - Sonata form Sonata form or sonata-allegro form is a musical form, a way of organising a work of music. The original idea of a central organizing form has been very widely used by classical composers since the 18th century, and was originally described by an Italian theorist as "a two part form" each part was repeated. By the early 19th century, Carl Czerny, a student of Beethoven's described it in terms of themes, which is how it is generally still described today. It was also considered to be the standard form for the first movement of any important work of instrumental music, for example a symphony, concerto, sonata or other works based on them, such as string quartets. For this reason, it is sometimes called first.
Symphony No. 2 (Mahler) - Symphony No. 2 (Mahler) The Symphony No. 2 in C minor by Gustav Mahler, known as the Resurrection, was written between 1888 and 1894. It is one of Mahler's most popular works. The symphony is written for an orchestra consisting of four flutes, four piccolos, four oboes, cor anglais, four clarinets, bass clarinet, four bassoons, double bassoon, ten French horns, ten trumpets, four trombones, tuba, timpani, bass drum, cymbals, tam tam, triangle, snare drum, glockenspiel, bells, two harps, organ and strings. The fourth movement requires an alto soloist, and the last movement adds a soprano soloist and a choir. The symphony began life as Totenfeier (Funeral Rites), a one movement symphonic poem based on an epic poem by Adam Mickiewicz, which Mahler completed in 1888. Later, he.
Ludwig van Beethoven - Ludwig van Beethoven Ludwig van Beethoven Ludwig van Beethoven (baptized December 17, 1770 - March 26, 1827) was a classical composer. Many people believe he was the single greatest composer of all time. He is undoubtedly one of the best known and most loved. His most famous works include his Fifth Symphony, Ninth Symphony, the piano piece "Für Elise", the "Pathétique" Sonata and the "Moonlight" Sonata. Table of contents showTocToggle("show","hide") 1 Biography 2 Musical style and innovations 3 Personal beliefs and their musical influence 4 Symphonies 5 Works Biography Beethoven was born in Bonn in the Holy Roman Empire (and now in Germany). His mother was Magdalena Keverich and his father was Johann Beethoven. They named their son after his grandfather. Beethoven's musical talent manifested itself early, and.
Jean Barraqué - that Barraqué destroyed many of his early works (at any rate, scores for them have not been found), leaving his Piano Sonata, completed in 1952, as his earliest surviving work. It is a large piece, lasting almost an hour, and is divided into two conncted sections, roughly equal in length. The texture of the work is often compared to Pierre Boulez, though the overall structure is quite different to anything Boulez has written, and more closely resembles the late sonatas of Ludwig van Beethoven (because of its sheer size and difficulty, it is sometimes compared to Beethoven's Piano Sonata No. 29, the Hammerklavier). The sonata was premiered by Yvonne Loriod. Barraqué then produced his only electronic piece, the Etude (1954), made at Pierre Schaeffer's studio. He then planned a large scale.
Joseph Haydn - be trained as a choral singer. In 1740, Haydn was noticed by Georg von Reutter, the director of music in St. Stephen's Cathedral in Vienna, who was touring the provinces looking for talented choirboys. Reutter took Haydn with him to Vienna, where Haydn worked for nine years as a chorister, the last four in the company of his younger brother Michael. Reutter often let his choristers go hungry and neglected their musical education, but Haydn certainly learned a great deal from being a professional musician at an early age in an important musical location. In 1749, Haydn had matured physically to the point that he was no longer able to sing high choral parts. On a weak pretext, he was summarily dismissed from his job. He evidently spent one night homeless.
Johannes Brahms - was a German composer of classical music. Brahms was considered by many to be the "successor" to Beethoven, and his first symphony was described by Hans von Bülow as "Beethoven's tenth symphony" (the nickname is still used). Table of contents showTocToggle("show","hide") 1 Works 2 Life 3 Influences on Brahms 4 Brahms's personality 5 Resources Works Brahms wrote a number of major works for orchestra, including four symphonies, two piano concertos, a Violin Concerto, and the large choral work A German Requiem (Ein deutsches Requiem). Brahms was also a prolific composer in the theme and variation form, having notably composed the Variations and Fugue on a theme by Handel, Paganini Variations, and Variations on the St. Anthony Chorale, along with other lesser known sets of variations. Brahms also wrote a great deal.
Grammy Awards of 1978 - Recording for Children Christopher Cerf & Jim Timmens (producers) for Aren't You Glad You're You performed by various artists Classical Best Classical Orchestral Performance Gunther Breest (producer), Carlo Maria Giulini (conductor) & the Chicago Symphony Orchestra for Mahler: Symphony No. 9 in D Best Classical Vocal Soloist Performance Neville Marriner (conductor), Janet Baker & the Academy of St. Martin in the Fields for Bach: Arias Best Opera Recording Thomas Z. Shepard (producer), John De Main (conductor), Donnie Albert, Carol Brice, Clamma Dale & the Houston Grand Opera Orchestra for Gershwin: Porgy and Bess Best Choral Performance (other than opera) Georg Solti (conductor), Margaret Hillis (choir director) & the Chicago Symphony Orchestra & Chorus for Verdi: Requiem Best Classical Performance Instrumental Soloist or Soloists (with orchestra) Itzhak Perlman & the London Philharmonic.
Grammy Awards of 1984 - B. B. King for Blues 'n Jazz Children's Best Recording for Children Quincy Jones (producer) & Michael Jackson for E.T. the Extra-Terrestrial Classical Best Orchestral Recording James Mallinson (producer), Georg Solti (conductor) & the Chicago Symphony Orchestra for Mahler: Symphony No. 9 in D Best Classical Vocal Soloist Performance James Levine (conductor), Marilyn Horne, Leontyne Price & the Metropolitan Opera Orchestra for Leontyne Price & Marilyn Horne in Concert at the Met Best Opera Recording Christopher Raeburn (producer), Georg Solti (conductor), Thomas Allen, Kiri Te Kanawa, Kurt Moll, Lucia Popp, Samuel Ramey, Frederica von Stade & the London Philharmonic for Mozart: Le Nozzi di Figaro Jay David Saks, Max Wilcox (producers), James Levine (conductor), Plácido Domingo, Cornell MacNeil, Teresa Stratas, & the Metropolitan Opera Orchestra for Verdi: La Traviata Best Choral.
Grammy Awards of 2000 - Otter, Bryn Terfel, Deborah York, the Monteverdi Choir & the London Symphony Orchestra for Stravinsky: The Rake's Progress Best Choral Performance Robert Shafer (conductor), Betty Scott, Joan McFarland (choir directors), the Maryland Boys Choir, the Shenandoah Conservatory Chorus & the Washington Choir for Britten: War Requiem Best Instrumental Soloist(s) Performance (with orchestra) Charles Dutoit (conductor), Martha Argerich & the Orchestre Symphonie de Montréal for Prokofiev: Piano Concertos Nos. 1 & 3/Bartók: Piano Concerto No. 3 Best Instrumental Soloist Performance (without orchestra) Vladimir Ashkenazy for Shostakovich: 24 Preludes & Fugues, Op. 87 Best Small Ensemble Performance (with or without conductor) Joseph Jennings (conductor) & Chanticleer for Colors of Love - Works of Thomas, Stucky, Tavener & Rands Best Chamber Music Performance Anne-Sophie Mutter & Lambert Orkis for Beethoven: The Violin Sonatas (Nos..
Grammy Awards of 1987 - Orchestra for Bernstein: Candide'' Best Choral Performance (other than opera) James Levine (conductor), Margaret Hillis (choir director) & the Chicago Symphony Orchestra & Chorus for Orff: Carmina Burana Best Classical Performance - Instrumental Soloist or Soloists (with or without orchestra) Vladimir Horowitz for Horowitz - The Studio Recordings, New York 1985 Best Chamber Music Performance Emanuel Ax & Yo-Yo Ma for Beethoven: Cello and Piano Sonata No. 4 in C & Variations Best Contemporary Composition Witold Lutoslawski (composer) & Esa-Pekka Salonen (conductor) for Lutoslawski: Symphony No. 3 Best Classical Album Thomas Frost (producer) & Vladimir Horowitz for Horowitz - The Studio Recordings, New York 1985 Comedy Best Comedy Recording Bill Cosby for Those of You With or Without Children, You'll Understand Composing and arranging Best Instrumental Composition John Barry (composer) for.
Grammy Award for Best Chamber Music Performance - Best Chamber Music or Other Small Ensemble Performance From 1992 to the present it has been awarded as Best Chamber Music Performance Years reflect the year in which the Grammy Awards were presented, for works released in the previous year. Table of contents showTocToggle("show","hide") 1 2000s 2 1990s 3 1980s 4 1970s 5 1960s 6 1950s 2000s Grammy Awards of 2003 Andrew Keener (producer), Simon Dominic Eadon (engineer) & the Takács Quartet for Beethoven: String Quartets ("Razumovsky" Op. 59, 1-3; "Harp" Op. 74) Grammy Awards of 2002 Joanna Nickrenz (producer), Marc J. Aubort (engineer) & The Angeles String Quartetfor Joseph Haydn: The Complete String Quartets Grammy Awards of 2001 Da-Hong Seetoo, Max Wilcox (producers & engineers) & the Emerson String Quartet for Shostakovich: The String Quartets Grammy Awards of 2000 Anne-Sophie.
