Piano quartet - Piano quartet A piano quartet is a musical ensemble consisting of a piano and three other instruments, or a piece written for such a group. In classical music, those other instruments are usually a piano trio, that is a violin, viola and cello. Piano quartets for that standard lineup were written by Wolfgang Amadeus Mozart, Robert Schumann, Johannes Brahms, Antonin Dvorak and Gabriel Fauré among others. In the 20th century, composers have written for more varied groups, with Anton Webern's Quartet, opus 22 (1930), for example, being for piano, violin, clarinet and tenor saxophone, and Olivier Messiaen's Quatuor pour la fin du temps (1940) for piano, violin, cello and clarinet..
String quartet - String quartet A string quartet is a group of four string musical instruments or a piece written to be performed by such a group. Although any combination of string instruments may be called a "string quartet", in practice, the term almost always refers to a group consisting of two violins, one viola and one cello. This combination of instruments is widely seen as one of the most important forms in chamber music, with most major composers writing string quartets. The form first came to be used around the middle of the 18th century, Joseph Haydn being one of the first composers to develop it. Indeed, he is often referred to as "the father of the string quartet" (as well as being called "the father of the symphony")..
String Quartet (Webern) - String Quartet (Webern) The String Quartet by Anton Webern is written for the standard string quartet group of two violins, viola and cello. It was the last piece of chamber music that Webern wrote (the only other works he completed before his death were the two cantatas and the Variations for Orchestra). The piece was written in 1937-38 on a commission from Elizabeth Sprague Coolidge and was premiered at the Coolidge Festival in Pittsfield, Massachusetts on September 22, 1938. It is in three movements: Mässig (Moderately) - a movement in variation form. Gemächlich (Leisurely) - in ternary form (ABA), the outer parts being a four part canon with all the notes the same length (fluctuations in tempo aside). Sehr fleissend (Very flowing) - a freer movement with.
String Quartet No. 1 (Bartók) - String Quartet No. 1 (Bartók) The String Quartet No. 1 in A minor by Béla Bartók was completed in 1909. The score is dated January 27 of that year. The work is in three movements, played without breaks between each: Lento Allegretto Allegro vivace The work was at least in part inspired by Bartók's unrequited love for the violinist Stefi Geyer - in a latter to her, he called the first movement a "funeral dirge" and its opening notes trace a motif which first appeared in his Violin Concerto No. 1, a work dedicated to Geyer and repressed by Bartók for many years. The intense contrapuntal writing of this movement is often compared to Ludwig van Beethoven's String Quartet No. 14, the opening movement of which is.
String Quartet No. 8 (Shostakovich) - String Quartet No. 8 (Shostakovich) The String Quartet No. 8 by Dmitri Shostakovich was written in 1960. It is in the key of C minor. The piece was written shortly after Shostakovich was diagnosed with myelitis. According to the score, it is dedicated "to the victims of fascism and war" but Shostakovich's daughter, Galina, stated that Shostakovich secretly dedicated it to himself. Shostakovich's friend, Lev Lebedinsky, said that Shostakovich thought of the work as his epitaph and that he planned to commit suicide around this time. The work was written in Dresden, where Shostakovich he was to write music for the film Five Days, Five Nights. The quartet is in five movements: Largo Allegro molto Allegretto Largo Largo The first movement opens with the D-E flat-C-B motif.
Quartet - Quartet Quartet refers to the instrumentation (or medium) used to perform a musical composition, consisting of four parts. The most popular instrumentation is the string quartet. A string quartet is a form of instrumentation in Western music tradition that consists of two violins, a viola, and a cello playing a multi-movement musical composition utilizing the sonata form. Another common instrumentation is the piano quartet, consisting of violin, viola, cello, and piano. The 'quartet' is a type of chamber music popular beginning in the 18th century, when public concert-giving began, towards present day, and is considered the most important form in chamber music. One of the first contributors, Luigi Boccherini, wrote 100 string quartets. Other important contributors are Franz Joseph Haydn, Mozart, and Ludwig van Beethoven. The.
Piano quintet - Piano quintet A piano quintet is a chamber musical ensemble made up of one piano and four other instruments, or the name of a piece written for such a group. The most common grouping is one piano, two violins, a viola and a cello, that is a piano with a string quartet. This combination of instruments is so prevalent in classical music, that when the phrase piano quintet is used with no qualifications, it usually refers to this particular group. Several composers have written piano quintets, although few have written more than one, a rare exception being Gabriel Fauré, who wrote two. Other composers to have written for the usual grouping of a string quartet plus piano include Robert Schumann, Johannes Brahms, Antonin Dvorak (who also.
Piano Concerto (Grieg) - Piano Concerto (Grieg) The Piano Concerto in A minor by Edvard Grieg was the only concerto Grieg completed. It is one of his most popular works and among the most popular of all piano concertos. The work is among Grieg's earliest important works, being written in 1868 in Sollerod in Denmark, during one of Grieg's visits there to benefit from the warmer climate than that of his native Norway. It is written for solo piano, two flutes, two oboes, two clarinets, two bassoons, four horns, two trumpets, three trombones, timpani, violins, violas, cellos and double basses. It is in three movements: Allegro molto moderato Adagio Allegro moderato molto e marcato Grieg's concerto is often compared to the Piano Concerto of Robert Schumann - it is in.
Piano Quintet (Shostakovich) - Piano Quintet (Shostakovich) The Piano Quintet, opus 57, by Dmitri Shostakovich is one of his best known chamber works. Like most piano quintets, it is written for piano and string quartet (two violins, viola and cello). Shostakovich began work on the piece in the summer of 1940 and completed it on September 14 of the same year. It was written for the Beethoven String Quartet and premiered by them with Shostakovich himself at the piano on November 23, 1940, at the Moscow Conservatory to great success. In 1941 it was awarded the Stalin Prize. The quintet is in five movements: Prelude: Lento Fugue: Adagio Scherzo: Allegretto Imtermezzo: Lento Finale: Allegretto.
Piano Quintet (Schumann) - Piano Quintet (Schumann) The Piano Quintet by Robert Schumann was written in 1842. It is in the key of E flat major and is his opus 44. Like most piano quintets, it is written for piano and string quartet (two violins, viola and cello). The piece is in four movements, in the standard quick-slow-scherzo-quick pattern: Allegro brilliante In modo d'una marcia. Un poco largamente Scherzo: Molto vivace Allegro ma non troppo At the end of the piece, the last movement's main theme is combined with the first movement's main theme in a double fugue. The work was composed in just a few weeks in September and October 1842. Before that year Schumann had completed no chamber music at all, but he now concentrated on the genre,.
Piano Quintet (Brahms) - Piano Quintet (Brahms) The Piano Quintet in F minor, opus 34, by Johannes Brahms was completed in 1864. Like most piano quintets, it is written for piano and string quartet (two violins, viola and cello). The piece is in four movements: Allegro non troppo Andante, un poco adagio Scherzo: Allegro Finale: Poco sostenuto - Allegro non troppo - Presto, non troppo The work began life as a string quintet (completed in 1862 and scored for two violins, viola and two cellos) and was then a sonata for two pianos (in which form Brahms and Carl Tausig performed it) before taking its final form..
Modern Jazz Quartet - Modern Jazz Quartet The Modern Jazz Quartet was established in 1952 by Milt Jackson (vibraphone), John Lewis (piano, musical director), Percy Heath (bass), and Kenny Clarke (drums). Connie Kay replaced Clarke in 1955. Jackson, Lewis, and Clarke had originally played together in a quartet while in the Dizzy Gillespie orchestra from 1946 to 1950. Together with Ray Brown they played in interludes designed to give the trumpeters time to recover from the challenging upper register trumpet parts. The same group recorded as the Milt Jackson Quartet in 1951. Jackson and Lewis originally shared the role of musical director but Lewis eventually took over the entire responsibility of this position. The group occasionally played with classical musicians, but its repertoire consisted mainly of bop and swing. Among its original.
Katrine Gislinge - is a Scandinavian pianist. She began taking piano lessons at the age of six. After taking her diploma in 1990 at the Royal Danish Academy of Music in Copenhagen, she studied with, among others, Seymour Lipkin in New York, Boris Berman and Peter Feuchtwanger in London. Katrine Gislinge's concerts have evoked a broad spectrum of superlatives. She is well known for her musical imagination and profound empathy with the classical repertoire. Katrine Gislinge's career has picked up speed: She is the first Danish pianist to record on Deutsche Grammophon, chamber music collaboration with international artists like the German Petersen String Quartet, the cellist Jian Wang, cellist Marc Coppey, the flautist Emmanuel Pahud, the violinist Augustin Dumay and the violist Gérard Caussé; solo concerts at international festivals (fx. Festival Internacional Cervantino in.
Veinticinco de agosto, 1983 - Old Borges (Bass), Young Borges (Tenor), Speaker (Baritone/Tenor), Owner of the Hotel (Baritone/Bass). Instrumentalists: Flute, Tenor Saxophon, String Quartet, Piano, one percussionist (Suspended Cymbal, 2 Anvils, Glockenspiel, Vibraphone, 5 Temple blocks, 3 Tomtoms, Tenor Drum), six-part Mixed Choir..
Joseph Haydn - Luigia Polzelli, a singer in the Eszterházy establishment with whom he carried on a long-term love affair. During the nearly thirty years that Haydn worked in the Eszterházy household, he produced a flood of compositions, and his musical style became ever more developed. His popularity in the outside world also increased. Gradually, Haydn came to write as much for publication as for his employer, and several important works of this period, such as the Paris symphonies (1785-6) and the original orchestral version of The Seven Last Words of Christ (1786), were commissions from abroad. Around 1781 Haydn established a close friendship with Mozart, whose work he had already been influencing by example for many years. The two composers enjoyed playing in string quartets together. Haydn was hugely impressed with Mozart's work;.
Joe Pass - support his drug habit. After his stay at a since discredited drug rehabilitation program, Synanon healing, Pass quickly proved himself as an undisputable genius on the guitar. He then spent the next 3 decades playing with all-time jazz greats such as vocal monster Ella Fitzgerald and often played with piano great Oscar Peterson, thanks to Norman Granz, the keen producer of Verve records. Although Pass is often overlooked by the mainstream public, the jazz community embraces his genius and he is now recognized as one of the most influential and greatest all-time jazz guitar players. His solo album "Virtuoso" is a must-have for any serious jazz collector, and all his works will continue to gain notoriety as jazz moves into the 21st century. Discography: Solo album titles Two For The Road.
Joseph Alessi - job. Joe won the position permanently and stayed for another couple of years, followed by a season at the Montreal Symphony before winning the audition for principal trombine at the New York Philharmonic. As a soloist Joe has performed several times with the NY Phil, including the concerto by Creston and the world premier of the Pulitzer Prize-winning Rouse concerto which they also recorded on CD. He has also recorded several CDs of important repertoire for trombone and piano ("Slide Area" and "New York Legends"), as well as teaming up with other similar sounding trombonists for two trombone quartet albums ("Four of a Kind" and "Take Me Out to the Ball Game"). Joe has devoted a portion of his time to teaching, holding a faculty position at the Julliard School, New.
Joseph Joachim - visit the city many more times. Following Mendelssohn's death, Joachim moved to Weimar, where he became concertmaster and met Franz Liszt and Richard Wagner. However, when he moved to Hanover in 1852, he dissociated himself from their musical ideals, and instead became friends with Robert Schumann, Clara Schumann and Johannes Brahms (who sometimes accompanied him at the piano in recitals). Brahms and Joachim jointly wrote a manifesto against the music of Liszt, Wagner, and their associates. Also in Hanover, Joachim married the singer Amalie Weiss. In 1866, Joachim moved to Berlin, becoming founding director of the Royal Academy of Music there. He founded his own orchestra, and, in 1869, the Joachim String Quartet, which gained a repuatation as one of the finest quartets in the world. In 1884, Joachim divorced his.
Joachim Raff - was largely self-taught in music, studying the subject while working as a schoolmaster. He sent some of his piano compositions to Felix Mendelssohn who recommended them to Breitkopf and Härtel for publication. They were published in 1844 and received a favourable review in Robert Schumann's journal, the Neue Zeitschrift für Musik, which prompted Raff to go to Zürich and take up composition full time. In 1845, Raff walked to Basel to hear Franz Liszt play the piano. After a period in Stuttgart where he became friends with the conductor Hans von Bülow, he worked as Liszt's assistant at Weimar from 1850 to 1855. During this time he helped the Hungarian in the orchestration of several of his works, claiming to have had a particularly big part in orchestrating the symphonic poem.
Jón Leifs - 1916 to study in Germany at the Leipzig Conservatory. He graduated in 1921 having studied piano, and then devoted his time to conducting and composing. He became succcessful as a conductor, and also as a writer. He married a jewish pianist, Annie Rithof, and had two daughters, Snot and Lif. He lived in Wernigerode and subsequently in Baden-Baden. His family was harassed by the Nazis. In 1944 he moved to Sweden, and in 1945 he moved back to Iceland. He eventually divorced his wife. One of his daughters, Lif, drowned in a swimming accident off the coast of Sweden, and he wrote his string quartet Vita et Mors in her memory. His last work , Consolation, Intermezzo for string orchestra was written as he was dying. He died of lung cancer.
